
A “Do Not Disturb” sign from Edoardo Flores’s collection, from Chaweng Resort, Koh Samui, Thailand, #8673 (all images courtesy Edoardo Flores)

Afonso V Hotel, Aveiro, Portugal, #6478
Some of the signs in Flores’s collection approximate the typeface and design of what one imagines the average DND sign to be. But this assembly also demonstrates the human interest in aesthetics beyond functionality. Some of the highlights: a sign from Hungary that approximates a Rorschach inkblot — are those lips and a finger or something more psychologically revealing? There’s the sign from Lufthansa that looks like the original “world’s saddest owl.” And many signs that lasciviously suggest, usually with the image of a woman pressing a finger to her lips, the reason these guests should not be bothered. One from the Helix Hotel in Washington, DC, combines an image of a red-lipped woman with the phrase “I just want to be alone” — a kind of anti-Lichtensteinian play on Pop art imagery.
The vast range of shapes, colors, and themes in Flores’s collection seems a plea for more unique design of all mass-produced objects, if not for functionality than simply for the sake of the optical, intellectual, and emotional stimulation that comes from visual diversity.

Codan Hotel, Copenhagen, Denmark #7329

Coral Bay Resort & Spa, Koh Samui, Thailand, #6022

Helix Hotel, Washington, DC, USA, #3628

Hotelito Casa Las Tortugas, Isla Holbox, Mexico, #8021

Hungar Hotels, Hungary, #0367

InterContinental, Prague, Czech Republic, #2546

Kirkwood Hotel, Des Moines, USA, #4041

Château Fort de Sedan, France, #7464

Ramboda Falls Hotel, Ramboda, Sri Lanka, #6908

The Chedi, Muscat, Oman, #8720

Toba Hotel International, Toba City, Japan, #7757

Unknown, France, #1313

Unknown, Spain, #1089