A “Do Not Disturb” sign from Edoardo Flores’s collection, from Chaweng Resort, Koh Samui, Thailand, #8673 (all images courtesy Edoardo Flores)
Afonso V Hotel, Aveiro, Portugal, #6478
Some of the signs in Flores’s collection approximate the typeface and design of what one imagines the average DND sign to be. But this assembly also demonstrates the human interest in aesthetics beyond functionality. Some of the highlights: a sign from Hungary that approximates a Rorschach inkblot — are those lips and a finger or something more psychologically revealing? There’s the sign from Lufthansa that looks like the original “world’s saddest owl.” And many signs that lasciviously suggest, usually with the image of a woman pressing a finger to her lips, the reason these guests should not be bothered. One from the Helix Hotel in Washington, DC, combines an image of a red-lipped woman with the phrase “I just want to be alone” — a kind of anti-Lichtensteinian play on Pop art imagery.
The vast range of shapes, colors, and themes in Flores’s collection seems a plea for more unique design of all mass-produced objects, if not for functionality than simply for the sake of the optical, intellectual, and emotional stimulation that comes from visual diversity.
Codan Hotel, Copenhagen, Denmark #7329
Coral Bay Resort & Spa, Koh Samui, Thailand, #6022
Helix Hotel, Washington, DC, USA, #3628
Hotelito Casa Las Tortugas, Isla Holbox, Mexico, #8021
Hungar Hotels, Hungary, #0367
InterContinental, Prague, Czech Republic, #2546
Kirkwood Hotel, Des Moines, USA, #4041
Château Fort de Sedan, France, #7464
Ramboda Falls Hotel, Ramboda, Sri Lanka, #6908
The Chedi, Muscat, Oman, #8720
Toba Hotel International, Toba City, Japan, #7757
Unknown, France, #1313
Unknown, Spain, #1089